Cain's Life
Genesis 4:17-24
And Cain knew his wife; and she conceived, and bore Enoch: and he built a city, and called the name of the city…


It is not difficult to detect the spirit he carried with him, and the tone he gave to his line of the race. The facts recorded are few but significant. He begat a son, he built a city; and he gave to both the name Enoch, that is, "initiation," or "beginning," as if he were saying in his heart, "What so great harm after all in cutting short one line in Abel? I can begin another and find a new starting point for the race. I am driven forth cursed as a vagabond, but a vagabond I will not be; I will make for myself a settled abode, and I will fence it round with knife blade thorns so that no man will be able to assault me." In this settling of Cain, however, we see not any symptom of his ceasing to be a vagabond, but the surest evidence that now he was content to be a fugitive from God, and had cut himself off from hope. His heart had found rest, and had found it apart from God. It is in the family of Lamech the characteristics of Cain's line are most distinctly seen, and the significance of their tendencies becomes apparent. As Cain had set himself to cultivate the curse out of the world, so have his children derived from him the self-reliant hardiness and hardihood which are resolute to make of this world as bright and happy a home as may be. They make it their task to subdue the world and compel it to yield them a life in which they can delight. They are so far successful that in a few generations they have formed a home in which all the essentials of civilized life are found — the arts are cultivated and female society is appreciated. Of his three sons, Jabal — or "Increase " — was "the father of such as dwell in tents and of such as have cattle." He had originality enough to step beyond all traditional habits and to invent a new mode of life. Hitherto men had been tied to one spot by their fixed habitations, or found shelter, when overtaken by storm, in caves or trees. To Jabal the idea first occurs, I can carry my house about with me and regulate its movements, and not it mine. I need not return every night this long, weary way from the pastures, but may go wherever grass is green and streams run cool. He and his comrades would thus become aware of the vast resources of other lands, and would unconsciously lay the foundations both of commerce and of wars of conquest. For both in ancient and more modern times the most formidable armies have been those vast moving shepherd races bred outside the borders of civilization and flooding as with an irresistible tide the territories of more settled and less hardy tribes. Jubal again was, as his name denotes, the reputed father of all such as handle the harp and the organ, stringed and wind instruments. The stops of the reed or flute and the divisions of the string being once discovered, all else necessarily followed. The twanging of a bowstring in a musical ear was enough to give the suggestion to an observant mind; the varying notes of the birds; the winds expressing at one time unbridled fury and at another a breathing benediction, could not fail to move and stir the susceptible spirit. The spontaneous though untuned singing of children, that follows no mere melody made by another to express his joy, but is the instinctive expression of their own joy, could not but give, however meagrely, the first rudiments of music. But here was the man who first made a piece of wood help him; who out of the commonest material of the physical world found for himself a means of expressing the most impalpable moods of his spirit. Once the idea was caught that matter inanimate as well as animate was man's servant, and could do his finest work for him, Jabal and his brother Jubal would make rapid work between them. If the rude matter of the world could sing for them, what might it not do for them? They would see that there was a precision in machine work which man's hand could not rival — a regularity which no nervous throb could throw out and no feeling interrupt, and yet at the same time when they found how these rude instruments responded to every finest shade of feeling, and how all external nature seemed able to express what was in man, must it not have been the birth of poetry as well as of music? Jubal, in short, originates what we now compendiously describe as the fine arts. The third brother, again, may be taken as the originator of the useful arts — though not exclusively — for being the instructor of every artificer in brass and iron, having something of his brother's genius for invention and more than his brother's handiness and practical faculty for embodying his ideas in material forms, he must have promoted all arts which require tools for their culture. Thus among these three brothers we find distributed the various kinds of genius and faculty which ever since have enriched the world. Here in germ was really all that the world can do. The great lines in which individual and social activity have since run were then laid down. This notable family circle was completed by Naamah, the sister of Tubal-Cain. The strength of female influence began to be felt contemporaneously with the cultivation of the arts. Very early in the world's history it was perceived that, although debarred from the rougher activities of life, women have an empire of their own. Men have the making of civilization, but women have the making of men. It is they who form the character of the individual and give its tone to the society in which they live.

(M. Dods, D. D.)



Parallel Verses
KJV: And Cain knew his wife; and she conceived, and bare Enoch: and he builded a city, and called the name of the city, after the name of his son, Enoch.

WEB: Cain knew his wife. She conceived, and gave birth to Enoch. He built a city, and called the name of the city, after the name of his son, Enoch.




Cain's Descendants
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