The Genesis of Praise
Psalm 95:1-11
O come, let us sing to the LORD: let us make a joyful noise to the rock of our salvation.…


This has been called the Invitatory Psalm. The Temple at Jerusalem had been restored. Its doors were again open for worship. And the psalmist sought to allure the people to a worship long neglected in the time of their exile. From the earliest times this psalm has filled a somewhat similar place in the services of the Western Church. It is the first note of praise in the order for morning prayer.

I. THE SPONTANEITY OF SONG. Jehovah did not say: "Sing unto Me," but men said one to another: "O come, let us sing unto the Lord!" Men sang because they could not help but sing. There are some things so natural to men that no Divine command is needed. Song is one of these. It grows naturally out of the emotions of a godly heart. The deepest feelings of the race have always found their fullest expression in poetry, and poetry reaches its highest utterance when wedded to music, on whose wings it soars to heaven.

II. THE RELIGIOUS INSPIRATION OF SONG. Love is the great kindler of song, and takes on its noblest, purest forms as it goes out to God. And hence it will be found that in proportion to the strength of love in any religion is the place and power of its song. To the lovelessness of most of the pagan and heathen religions is due the poverty and even absence of song in their worship. To all intents and purposes the Hebrew and its successor, the Christian, faith are the only ones in which song prevails. And it will be found, if you look into the history, that as their conception of God grew in depth and tenderness, the more lovable He was seen to be, so their song grew in volume and worth. The theology of each age is reflected in its hymnody.

III. THE RELIGIOUS OCCASION OF SONG. The psalm before us probably sprang out of joy at the reopened temple at Jerusalem, that the feet of Israel could once more stand within the gates of Zion. Every lofty hymn has a sacred history. And thus the experience of elect souls is made to help other souls to higher levels of thought and feeling. They are like climbers who have reached the mountain summit, and beckon those in the valley to share with them the grand outlook to which their eye has reached. It is for us to respond to their call, so that as we sing we may be drawn upwards from the mists of earth to those. Goethe once advised, "as a means of making life less commonplace, that we should every day, at least, hear or read a good poem." Better still would it be if we allowed no day to pass without joining in a hymn of praise. Marvellous has been the influence of song in the furtherance of religion in the days that are past. The Arians were among the first to discover its power. They organized singing processions to propagate their doctrine. Then the orthodox party followed their example. When , the good Bishop of Milan, was ordered to give up one of his churches for Arian worship, he refused, and his devoted followers surrounded his house day and night to protect him from the troops of the Emperor. He arranged for his defenders hymns for every hour of the day and night. It was a charge against Luther that he was singing the whole German people into the Reformation doctrine. The gained their name from their custom of "lulling" — that is, singing softly. The Methodist Revival owed quite as much to the hymns of Charles Wesley as to the preaching of her saintly brother. The Oxford Movement owed its success not only to the "Tracts for the Times" and the sermons of Newman, but to "The Christian Year" of Keble. Where would the Moody and Sankey movement have been but for the "Sacred Songs and Solos"? The Salvation Army could not carry on its work without its rough but inspiring music. And my own conviction is that holy song will be one means of bringing to the Church a deeper unity. Through it the heart is permitted to speak, and by means of the heart, rather than the intellect, Christian people are drawn closer together. Theology has too often proved a dividing influence. Song usually tends to unity.

(W. G. Horder.)



Parallel Verses
KJV: O come, let us sing unto the LORD: let us make a joyful noise to the rock of our salvation.

WEB: Oh come, let's sing to Yahweh. Let's shout aloud to the rock of our salvation!




Public Worship - its Necessity and Advantage
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