The Worth and Worthlessness of Music
1 Samuel 16:23
And it came to pass, when the evil spirit from God was on Saul, that David took an harp, and played with his hand…


1. In this chapter we have Saul and David brought together; and round the combination of these two names a wonderful history gathers. Saul and David! How bright is the halo that surrounds one of those heads, and how dark is the cloud that settles on the brow of the other! how increasingly bright the one; how increasingly dark the other! And let me say that these two men represent two great but opposing principles. David represents the man of grace. A man he is with many faults, with many things which make him like other men at their worst; but a man who is, notwithstanding, by grace, although with who could be Saul, a man who could be and might be Saul at his worst, but who, with all this, knows that he is bad, sincerely repents of his evil, and asks for grace that he may be better. And Saul is a man after, not God's own heart, but a man after his own heart. Saul, notwithstanding many points wherein he seems to be a David, is of a totally different spirit from David. How bright he was at the beginning! how frank, how modest, how generous, how ingenuous! David himself could scarcely have played the part better than Saul played it at the time when he was chosen to be king by Samuel, and suddenly exalted to that high dignity. And yet Saul, after all, was so centred in himself, so proud, as rebellious, so possessed of an evil spirit, that his day went down into deep and deepening darkness.

2. Notice further how the old Book does not hesitate to trace everything up to God. The writers of this Book, whenever they come across a dark, perplexing problem, are men of this stamp — they get themselves to rest, to mental rest and consistency, when otherwise all things would rock and reel, by pressing everything up to God and letting it lie there. To put the very devil into God's hands gives rest; I can wait now; he is on a chain Why is evil here? And it is remarkable how the writers of the Bible, without making God responsible, put Him in there in the meantime. We rest here, "Shall not the Judge of all the earth do right?" You see how the problem breaks out upon us. "An evil spirit from the Lord troubled Saul." What is this? What imp from hell crept up to the Bible and wrote that in it? "An evil spirit from the Lord." Well, but that rings all through the Bible! The Lord is put in. in the meantime, for us short-sighted mortals, and He seems to say, "Rest here; nee as far along the difficulty as Me, and do not ask anything further." And although it seems herd for Me, and although it seems awkward for Me, I will bear the brunt; and in the end of the day I will be just and justified, and clear Myself when I am judged."

3. But now we will come at once, for we must hasten, to the real explanation of Saul's misery It was this — secret sin; but I will give that sin a name: secret sin, taking the shape of self-will, which was not repented of and done away with self-will was the secret explanation of all Saul's inward and outward misery, of all the still heavier distress which overtook him later on. The Spirit of God has laid Saul bars to the very backbone, and we know what was his disease. When will we understand that the Lord is always trying to lay us bare to ourselves? There is a stone in the machine: may it soon be detected and put away, then all the wheels shall move swiftly and without friction, as they used to do. There is war in your own heart. I grant there are troubles without — external sources of trouble and annoyance — but how many of us here today can say that we are free from the battle that raged in Saul's breast — that worst of all fights: the fight between a man and his conscience; between a man and his God? Saul's lust was a lust for power, a lust for his own way. But he cloaked it, he covered it, he disguised it, he twisted it into religious phrases, he kept justifying himself to himself and to Samuel. But he is laid bare, and all subterfuges are torn to pieces.

4. Just a word about the too-cheap and slim and utterly inadequate remedy that was tried for Saul. The help and the helplessness, the worth and the worthlessness of music — the use and the uselessness of recreation, of changer of pleasure, of relaxation. How far these go; and how far they don't go! His servants came around Saul and virtually said, "What you need, dear master, is change; what you need is relaxation; what you need is music." No treasures, says the poet of my country —

"Nae treasures, nae pleasures can mak us happy lang,

The heart's aye, the pairt aye, that makes us richt or wrang,"

And if God is not in the heart, then the evil spirit is in it. Music! Well, we will say nothing against music. Music hath charms of every kind; who has not felt its power? The man is not influenced and softened by music, we are almost inclined to say with Shakespeare, "Let no such man be trusted." We feel naturally suspicious of him. And yet how little it does! When we see what music sets itself to cure — London's music, London's sacred music, or its secular music — when we see what it is called in to cure, it is no wonder if I should get a little outspoken about it. Music for a madman! — whenever did it cure madness? Music for a man who needs Almighty God! — what a pitiful remedy! And is not that what the very Church of God is saying today? The masses — the squirming, wretched howling masses — fiddle to them, oh, fiddle to them; get up music for them, get up popular entertainments for them. Cast out the devil with the fiddle! You talk about curing earthquakes with pills, it is very much the same as curing poor Saul's trouble by getting a man who was skilful with his hands upon the harp. And a word, let me put in here, to people who are susceptible of music. This which was meant to do good to Saul, I rather think that in the end it only deepened his trouble; for medicine, when brought in in a case like this, if it does not permanently benefit, it will permanently injure. Said a young man to me, "When I go into a church where there is an organ, even before the sermon begins, and there is 'the long-drawn aisle and fretted vault;' when the music from the organ begins to peal and to steal, I almost begin to think I am a new creature." Well, if the organ is going to do it, it was an awful mistake for Christ to have climbed upon the cross. That was the blunder of all time — the Crucifixion was not needed if music and organs and choirs can cast out the evil spirit from a man. That is the trouble. Nothing will cure thy heart but the almighty grace from the Lord Jesus Christ, through the Word and the Truth of His Gospel. No; one of the sad things of this story is to find how near Saul came to a cure, and how far he remained from it. One could almost cry out, "Oh, Saul, you are on the right track, and yet you are altogether wrong! Oh, Saul, take not only the harp and the music, but if you would take the harper to your heart, that would cure you!" What was all Saul's trouble? It was David. David was the stone, the stumbling stone, over which he tripped and fell. The story gets breathless in its sad interest: David brought so near; and if Saul had only lent his heart as well as his ears, and taken David in and loved him, David would have been his salvation. My parable is easily applied. You do make a certain use of Christ; like Saul, you make a certain use of David and a certain use of religion, and you admit its power so far as you use it. Now, in the name of salvation, come farther. You like music, you like sacred music; I have seen it on your faces — how the eye gets filled over the singing, and for the time being, a brief but holy light settles upon your troubled face, and I believe that a corresponding peace comes into your war-broken soul. But if that is all, if it is only these sounds and strains and these sweet words, that is not enough. The devil in you can stand that, and still be what he is. If, however, you would take in not only the praise, but Him who is praised, if you would take in Christ, you would be saved. Poor man, Saul was allowing his wound to be slightly healed, to be slightly skimmed over, and soon it broke out with worse virulence than ever. The evil spirit departed from him when David took the harp and played with his hands; Saul was refreshed, but, as we know, only for a season. You are as near to the perfect cure as Saul was. See that you get it. And the perfect cure is to take the Lord Jesus Christ, who is the centre of the Church's service, and the centre of the preacher's preaching. Get past the singing, go past all our service, go past the preacher. I am but a harp, and a very poor harp, with little more than one string; but if the Spirit of God struck me, what wonderful tones He might bring out. Go past the harp, go past the sound that comes from the harp, and see to it that you discern Him. See that you discern the heavenly David who holds this rude instrument in His hand. Yea, I say unto you, "See that you discern Him and love Him; take Him in to you; then shall the devil of discord leave thy breast, and thy soul shall begin to fill with heaven's own melody."

(John McNeill.)



Parallel Verses
KJV: And it came to pass, when the evil spirit from God was upon Saul, that David took an harp, and played with his hand: so Saul was refreshed, and was well, and the evil spirit departed from him.

WEB: It happened, when the [evil] spirit from God was on Saul, that David took the harp, and played with his hand: so Saul was refreshed, and was well, and the evil spirit departed from him.




The Soothing Influence of Music
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