Lessons from a Pottery
Isaiah 64:8
But now, O LORD, you are our father; we are the clay, and you our potter; and we all are the work of your hand.


Many years ago it was my privilege to visit the porcelain works at Worcester, and there I learned most of what I know about the potter and his art. We were first taken into a large showroom, where there were displayed the finished products of the potter's skill and labour. Here we were glad to spend some time in looking upon the beauty and loveliness which the potter had created. In thinking upon what was exhibited there, what can be learned about the potter and his art with a view to understanding the work and grace of our heavenly Father as our Potter? There were two things that deeply impressed me. The first was the almost unlimited variety secured by the potter in his workmanship. There were not two pieces exactly alike. Everywhere you perceived the mind of the potter on the stretch, seeking to attain all possible variety of form, design and ornamentation. I said to myself. "Well, there is one thing very clear about the earthly potter — he has determined that in his work there shall be an utmost absence of repetition, monotony, similarity. By infinite variety he reveals his skill and the fruitfulness of his mind." If God is our Potter, are we to think of Him in this respect as like unto the earthly potter? Go to His work in Nature. How much of monotony is there in any department of God's creation? What does that mean for us? It means a very great deal for Christian life. As a young Christian, I had a way of greatly admiring other people. If I saw any person of decided and beautiful Christian character, my heart was impressed. But the mistake was that I also wanted to be like them! And if I saw any one doing a particular work for God I wanted to do something similar. This longing to be like other people became a great curse and hindrance. Then God had pity upon me, and showed me the mistake of it all, and said to me: "I do not want to make you like anybody else in the universe; I want to make you something different from everybody else;" and He graciously persuaded me to give myself up to Him, to let Him make me the one thing He wished to see me. No greater deliverance ever came into my life than that. Do not try to be like anybody. Do not be one of a set. It would be a thousand pities to go to heaven, and for the angels to say: "We have seen this sort before!" It will not be Christ's fault if that should happen in your case. There is something that God wants to make each one of us that shaft reveal His glory in a way that nobody else does. The second thing to be noted about the work of the potter is this: His whole aim is to make of the clay, not a vessel for its own use, but a vessel for the joy and service of others. Let us realize that Christ is in our lives to turn them outward! When we had spent some time in the showroom, our guide bade us follow him. He at once led us through a door out into the works. What a change! We were now amid the noise and splash and dirt. First of all he directed our attention to a shelf, on which were some half-dozen lumps of what might be described as glass and chalk and clay. As a matter of fact, they were different kinds of clay. "All you have just seen inside there has been made out of such materials." Who had bridged the gulf between the shapeless clay and the beautiful vessel? The potter — that is what he is for. "We are the clay" — the thing of possibility only. The Lord is the Potter; and He can take the clay, and by His skill and power and grace, make it into a thing of joy and beauty for evermore. But our guide soon led us on, and we saw something of the processes of the potter's art. One of the first things he did with the clay was to put it into a mill, where it was ground for a week, ground until it was so fine that it would pass through silk with hundreds of meshes to the square inch. If the clay could have thought, how puzzled it would have been! It would have said: "There was something of me once, but I am coming to nothing now. I caught a glimpse through that open door of all those lovely vessels and vases, and I thought the potter was going to make me into one such as they; but here it is only grind! grind! grind! What does it all mean?" Experiences very much like that come to the soul that has surrendered itself to God. The methods and processes of the heavenly Potter are at times very perplexing, and in no discerned relation to the desired end. Be quite sure that God understands His own work! Trust Him. The next thing that struck me was the large use which the potter made of fire. I cannot tell you how many times the porcelain was put into the fire before it was finished. But there was this remarkable thing: it was never put into the fire unshielded. It was always enclosed in a strong outer vessel, closely sealed, so that the fire did its work, and yet no hurt came to the porcelain. Into the fire of trial and suffering God, our Potter, puts us all; but He never puts us in unshielded. When this white porcelain had been taken through a great many processes, it was put into the hands of skilful artists, whose work it was to adorn it with the glory of colour and design with which we are all familiar. When the porcelain left the hands of the artist, the finger of a child could have brushed away all that he had painted upon it. But our guide explained that the porcelain would go into the fire, and that the fire would open its "pores, and take in the colouring, so that what the painter had put on it would become part of the very vessel itself. That illustrated to me this great truth, that we never become better people by merely knowing more. New truth in the mind is like the colouring upon the porcelain, and some failure of memory may remove it. But God's way is, when we have got a new truth, to lead us into some trial, some fire, that will make that truth part of our very manhood. Lastly, we were taken into another room, and there the artists were all busy working with a black fluid, which they were putting on the beautiful, pure, white porcelain. I said to our guide, "What are they doing here? Apparently they were disfiguring the porcelain. His answer was: "They are putting on the gilt! When the porcelain goes into the fire, this black that you see upon it now will be transformed into Gilt." There are times when God seems to be disfiguring the lives of his people. What is He doing? Putting on the gilt.

(G. C. Moore.)



Parallel Verses
KJV: But now, O LORD, thou art our father; we are the clay, and thou our potter; and we all are the work of thy hand.

WEB: But now, Yahweh, you are our Father; we are the clay, and you our potter; and we all are the work of your hand.




God the Father-King in Redemption
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