1 Chronicles 15:22
And Chenaniah, chief of the Levites, was for song: he instructed about the song, because he was skilful.
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EXPOSITORY (ENGLISH BIBLE)
(22) Rather, And Chenaniah, captain (i.e., conductor) of the Levites in bearing (that is, the sacred vessels), was conducting the bearing, because he was skilledscil., in the traditional regulations connected with bearing the Ark duly and rightly.

Chenaniah.1Chronicles 15:27, and 1Chronicles 26:29.

Chief of the Levites.—Not one of the six princes (1Chronicles 15:5-10), or heads of houses, but president of the carriage of the Ark.

Was for song.—So the LXX., which reads “leader of the songs;” but the Syriac has “bore the burden daily” and although the word massâ—i.e., “lifting up,” or “bearing”—might mean “lifting up the voice,” (1) the context is against that meaning here, for Heman, Asaph, and Ethan were conductors of the singing and music; (2) Chenaniah is nowhere else associated with music (see Note on 1Chronicles 26:29); (3) the word massâ, “bearing,” has the sense we have given it when used in relation to Levites (Numbers 4:19; 2Chronicles 35:3).

He instructed.—The Hebrew has an ambiguous form, which may be an infinitive—instructing, correcting (yāsar); or an imperfect of a different verb—was prince over, superintendent of (sārar).

He was skilful.—Comp. 1Chronicles 25:7; 2Chronicles 34:12.

1 Chronicles 15:22. Chenaniah was for song — Or, as it may be translated, was for the carriage, namely, of the voice. He was the moderator of the music, instructing them when and how to lift up their voice, change their notes, or make stops. Accordingly, the following words tell us, he instructed about song — Or taught them how to sing; because he was skilful — Was a great artist in singing.

15:1-24 Wise and good men may be guilty of oversights, which they will correct, as soon as they are aware of them. David does not try to justify what had been done amiss, nor to lay the blame on others; but he owns himself guilty, with others, of not seeking God in due orderFor song - See the margin. Hebraists are still at variance as to the meaning of this passage, some supposing elevation or, delivery of the voice, others elevation of the ark, to be intended. 22. Chenaniah, chief of the Levites—He was not of the six heads of the Levitical families, but a chief in consequence of his office, which required learning, without regard to birth or family.

instructed about the song—He directed all these bands as to the proper time when each was to strike in or change their notes; or, as some render the passage, "He led the burdens, for he was skilled," that is, in the custom which it was necessary to observe in the carriage of the holy things [Bertheau].

Was for song, Heb. was for lifting up; either,

1. Of the ark; he was for carriage of the ark, being appointed to instruct or direct the time and manner of carrying the ark, and when they should make a stand or a change in the bearers. Or rather,

2. Of the voice; he was the moderator of the music, instructing them when and how to lift up their voices, or change their notes, or make their stops, which best agrees with the following reason, because he was skillful; for this required far more skill than the carriage of the ark, which any man of common discretion could easily govern; and with 1 Chronicles 15:27, where this same Chenaniah is joined with the singers.

And Chenaniah chief of the Levites was for song,.... But the chief for the song were Heman, Asaph, and Ethan; rather

for the burden, as the Targum; for the lifting up and bearing the ark:

he instructed about the song; or about the taking up and bearing the burden, the ark; directing when to take it up, and how far to go with it, and then rest:

because he was skilful; a wise and prudent man in all things, and so proper to direct in this business.

And Chenaniah, chief of the Levites, {l} was for song: he instructed about the song, because he was skilful.

(l) That is, to appoint Psalms and songs to them that sang.

EXEGETICAL (ORIGINAL LANGUAGES)
22. was for song] The Heb. word (massa) used here twice for “song” (lit. “burden”) means sometimes “burden” in a physical sense; hence R.V. mg. was over the carrying of the ark.

Verse 22. - For song. There is considerable diversity of opinion as to the meaning of this word. Some think its meaning to be "in the carrying (בַּמַּשָּׂא)" i.e. of the ark. Its exact position here seems not unfavourable to such interpretation. On the other hand, its position in ver. 27 seems conclusively to point to the translation of the Septuagint and of our Authorized Version in this place as the correct one. Dr. Murphy, however, to escape this, thinks "with the singers" in ver. 27 to be a "copyist's inadvertent repetition." 1 Chronicles 15:22"Chenaniah, the prince of the Levites, for the bearing, teacher in bearing; for he was instructed in it." Since Chenaniah does not occur among the six princes of the Levites in 1 Chronicles 15:5-10, and is called in 1 Chronicles 15:27 המּשּׂא השׂר, we must here also join בּמשּׂא (as most editions punctuate the first במשׂא, while according to Norzi בּמּשּׂא is the right reading even in the first case) closely with שׂר־הלויּם, with the meaning that Chenaniah was captain of the Levites who had charge of the bearing of the ark, a chief of the Levites who bore it. The word משּׂא is,however, very variously interpreted. The lxx have ἄρχων τῶν ᾠδῶν, and the Vulgate, prophetiae praeerat ad praecinendam melodiam; whence Luther translates: the master in song to teach them to sing. This translation cannot, however, be linguistically upheld; the word משּׂא means only the bearing of the burden (Numbers 4:19, Numbers 4:27, etc.; 2 Chronicles 35:3), and a prophetical utterance of an oppressive or threatening character (Isaiah 13:1, and Isaiah 15:1, etc.). But from this second signification neither the general meaning prophetia, nor, if we wish to go back upon the קול נשׂא, to raise the voice, the signification master of song, supremus musicus (Lavat.), or qui principatum tenebat in cantu illo sublimiore (Vatabl.), can be derived. The meaning prophetia, moreover, does not suit the context, and we must consequently, with Bertheau and others, hold fast the signification of bearing. We are determined in favour of this, (1) by the context, which here treats of the bearing of the ark, for which משּׂא is the usual word; and (2) by the circumstance that in 1 Chronicles 26:29 Chenaniah is mentioned as the chief of the Levites for the external business, which goes to show, if the persons are identical, that he here had the oversight of the external business of the transport. יסר is not the inf. absol., which cannot stand directly for the verb. finit.; nor is it the imperf. of סרר in the signification of שׂרר (Bertheau and others), but a nominal formation from יסר (cf. on this formation as the most proper designation of the actor, Ew. 152, b), in the signification teacher, which is shown by Isaiah 28:26 certainly to belong to יסר. The clause בּמּשּׂא יסר gives the explanation of the preceding בּמשּׂא, or it specifies what Chenaniah had to do in the procession. He had to take the lead in the bearing because he was מבין in it, i.e., was instructed in that which was to be observed in it. - In 1 Chronicles 15:23 two doorkeepers for the ark are named; and in 1 Chronicles 15:24, at the end of the enumeration of the Levites who were busied about the transport, two additional names are mentioned as those of men who had the same duty. The business of these doorkeepers was, as Seb. Schmidt has already remarked on 2 Samuel 6, non tam introitum aperire arcae, quam custodire, ne ad eam irrumperetur. Between these two pairs of doorkeepers in 1 Chronicles 15:24, the priests, seven in number, who blew the trumpets, are named. The Kethibh מחצצרים is to be read מחצצרים, a denom. from חצצרה; the Keri מחצרים is Hiph. of חצר, as in 2 Chronicles 7:6; 2 Chronicles 13:14, and 2 Chronicles 29:28. In 2 Chronicles 5:12 and 2 Chronicles 5:13, on the contrary, מחצּרים is partic. Pi. The blowing of the silver trumpets by the priests in this solemn procession rests on the prescription in Numbers 10:1-10, which see. The place assigned to these trumpet-blowing priests was either immediately before the ark, like the priestly trumpeters in the march round Jericho (Joshua 6:4, Joshua 6:6), or immediately after it. For, that these priests entered in the immediate vicinity of the ark, may be inferred from the fact that before and behind them were doorkeepers of the ark. The procession, then, was probably arranged in this way: (1) the singers and players in front, in three division; (2) Chenaniah, the captain of the bearers; (3) two doorkeepers; (4) the priests with the trumpets immediately before or after the ark; (5) two doorkeepers; (6) the king with the elders and captains of thousands (1 Chronicles 15:25). The two doorkeepers Obededom and Jehiah (יחיּה), Rashi, Berth.,and others consider to be the same persons as the singers Obededom and Jeiel (יעיאל), supposing that the latter name is wrongly written in one of the passages. This, however, is incorrect, for the identity of the name Obededom is no sufficient ground for supposing the persons to be the same, since in 1 Chronicles 16:38 the singer Obededom and the doorkeeper Obededom the son of Jeduthun seem to be distinguished. And besides that, Obededom and his colleagues could not possibly at the same time as porters precede, and as singers come after, the priests and the ark, and there is consequently no reason to doubt that the name יחיּה is correct.
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